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		<title>State Farm Commercial</title>
		<link>http://www.earsandgears.com/state-farm-commercial/</link>
		<comments>http://www.earsandgears.com/state-farm-commercial/#comments</comments>
		<pubDate>Mon, 07 May 2012 09:12:41 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=1023</guid>
		<description><![CDATA[We are happy to share with you a commercial we worked on for State Farm Insurance. The music was written by Mor Mezrich, it was produced and mixed right here at Ears and Gears Recording. http://www.youtube.com/watch?v=qF_wy8I9_jQ]]></description>
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		<title>Viva Colombia</title>
		<link>http://www.earsandgears.com/viva-colombia/</link>
		<comments>http://www.earsandgears.com/viva-colombia/#comments</comments>
		<pubDate>Thu, 26 Apr 2012 11:28:07 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=1103</guid>
		<description><![CDATA[We recently finished work on the song &#8220;Viva Colombia&#8221;, which will be the theme song for a new airline by the same name. The song was written by Gregorio Uribe, a Colombian artist living in New York. He shot a little &#8216;behind the scenes&#8217; footage http://www.youtube.com/watch?v=CvPcnFatOqo Listen to the song here: Gregorio is offering a [...]]]></description>
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		<title>How Vinyl Records Are Made</title>
		<link>http://www.earsandgears.com/how-vinyl-records-are-made/</link>
		<comments>http://www.earsandgears.com/how-vinyl-records-are-made/#comments</comments>
		<pubDate>Tue, 01 Nov 2011 19:14:23 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[record]]></category>
		<category><![CDATA[vinyl]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=835</guid>
		<description><![CDATA[Here is a great feature explaining the manufacturing process for making vinyl records. Understanding the manufacturing process helps us understand the technical aspects needed from an engineering standpoint. These aspects are handled my the Mastering Engineer, and as producers and mixing engineers we will greatly benefit from knowing this. It is also very interesting. Part [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Microphone Directionality – Polar Patterns</title>
		<link>http://www.earsandgears.com/microphone-directionality-%e2%80%93-polar-patterns/</link>
		<comments>http://www.earsandgears.com/microphone-directionality-%e2%80%93-polar-patterns/#comments</comments>
		<pubDate>Thu, 28 Oct 2010 21:48:22 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Microphone Techniques]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[bidirectional]]></category>
		<category><![CDATA[cardiod]]></category>
		<category><![CDATA[directionality]]></category>
		<category><![CDATA[figure eight]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[microphone techniques]]></category>
		<category><![CDATA[omnidirectional]]></category>
		<category><![CDATA[polar pattern]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=794</guid>
		<description><![CDATA[The term “Polar Pattern” relates to the directionality of a microphone. What is directionality? Sound sources can come from different positions and directions around the microphone. Polar patterns tell us from which direction the microphone is most sensitive to sound, and from where the microphone will be less sensitive, and even completely reject a sound. [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>LOUDER IS BETTER! (Part 2)</title>
		<link>http://www.earsandgears.com/louder-is-better-part-2/</link>
		<comments>http://www.earsandgears.com/louder-is-better-part-2/#comments</comments>
		<pubDate>Sun, 02 May 2010 18:39:48 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Equal Loudness Contour]]></category>
		<category><![CDATA[Fletcher-Munson]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=510</guid>
		<description><![CDATA[If you haven’t yet read the first part – LOUDER IS BETTER! (Part 1) Please scroll down and read it first, to better understand this article. Now that you’ve had a look at the Fletcher-Munson equal loudness contours, you have an understanding of the way we hear the different frequencies. Let’s review the important concepts [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>LOUDER IS BETTER! (Part 1)</title>
		<link>http://www.earsandgears.com/louder-is-better/</link>
		<comments>http://www.earsandgears.com/louder-is-better/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 22:06:49 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Equal Loudness Contour]]></category>
		<category><![CDATA[Fletcher-Munson]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=428</guid>
		<description><![CDATA[The Fletcher-Munson Equal Loudness Contour is an important concept to understand.]]></description>
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		<slash:comments>3</slash:comments>
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		<title>How to Get Great Drum Sounds (Part 2) &#8211; Creative Use of Gates</title>
		<link>http://www.earsandgears.com/how-to-get-great-drum-sounds-part-2-creative-use-of-gates/</link>
		<comments>http://www.earsandgears.com/how-to-get-great-drum-sounds-part-2-creative-use-of-gates/#comments</comments>
		<pubDate>Tue, 06 Apr 2010 08:12:01 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[Drum Recording]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[drum recording]]></category>
		<category><![CDATA[gate]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=352</guid>
		<description><![CDATA[The Gate The gate is a useful tool when mixing drums. The operation of a gate is described in the first video. The second video goes into some tips for using the gate in a more creative and less typical way. Creative Uses of a Gate Here I explain how I used a gate to [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Drum Recording &#8211; How to Get Great Drum Sounds (Part 1)</title>
		<link>http://www.earsandgears.com/drum-recording-how-to-record-drums/</link>
		<comments>http://www.earsandgears.com/drum-recording-how-to-record-drums/#comments</comments>
		<pubDate>Mon, 29 Mar 2010 01:50:28 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[Drum Recording]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[drum recording]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=291</guid>
		<description><![CDATA[Advice, tips and tricks associated with recording drums.]]></description>
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		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Video Tutorial &#8211; Reverb</title>
		<link>http://www.earsandgears.com/video-tutorial-reverb/</link>
		<comments>http://www.earsandgears.com/video-tutorial-reverb/#comments</comments>
		<pubDate>Wed, 24 Mar 2010 17:59:45 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[reverb]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=260</guid>
		<description><![CDATA[very basic guide on how to set up and use reverb in your session]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Condenser Microphone</title>
		<link>http://www.earsandgears.com/the-condenser-microphone/</link>
		<comments>http://www.earsandgears.com/the-condenser-microphone/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 10:42:29 +0000</pubDate>
		<dc:creator>Mor</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Condenser]]></category>
		<category><![CDATA[microphone]]></category>

		<guid isPermaLink="false">http://www.earsandgears.com/?p=157</guid>
		<description><![CDATA[Now that we’ve gone through the workings of the dynamic microphone, we have an understanding of the basic function of a microphone in the recording chain. As a reminder, a microphone is a transducer that converts the sound waves to voltage (If you are still confused about this process I recommend that you look at [...]]]></description>
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		<slash:comments>0</slash:comments>
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